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So this technique is new to me - the sculpture is almost entirely solid. According to Phillipe - she'll fire just fine if REALLY DRY first. (Fingers Crossed) As I live in semi-arid Colorado, dry isn't really a problem here. I'd say that I had about 10 hours of model time on this piece and put in another 4 to 5 hours sculpting at home and she's about 80% done. I’m juggling illustrating a children's book at the moment, so I've kind of shelved her for a while and just misted her with water a few times.
This is a low-grog ceramic clay and it is 16" high. I believe that it will fire to a white finish and plan on doing a marble/stone look for the patina if she survives the firing. I'm looking forward to taking a few more hours to refine and finish before the long, slow drying process.
On another note – I may have a kiln! I’ve been looking on Craigslist for a year now and if all goes well, I should have it by next weekend….then I’ll be able to fire my pieces and be more productive – very exciting!
Next up, I’ll be showing you my first oil-based clay figure. It’s one I’m working on from a class from the Denver Art Students League with Rik Sargent as the instructor. Another terrific teacher – you really need to look at Rik’s work – his monumental bronzes are amazing and he’s been such an informative teacher – I’ll do my next post on his class and my new piece….